Thursday, November 20, 2008

recent reading: the consequences of modernity


this book review is a little different from the ones i've done thus far.  i had to read this entire book for my theories of postmodernism class and write a review essay about it.  so i'm posting the entire essay here.  granted, this may not be "popular" culture, but this book is somewhat of an introduction into the theory of modernity and postmodernity, which is extremely relevant to examining our current society and what is to come.

title: the consequences of modernity
author: anthony giddens
purpose: required school reading
copyright: 1990
pages: 178
chapters: 6
review:  anthony giddens' study of modernity and subsequent postmodernity and postmodernism takes the confusion out of the argument to some extent.  giddens, although at times repetitive, offers his perspective so that the layperson that he so often discusses could actually comprehend his argument.  in this way, the distinction between terms like postmodernism and postmodernity are finally understandable.  giddens uses real world examples that allow the reader to not only think about modernity as an abstract term with no real meaning in today's society.  he clearly lays out certain topics within the concept of modernity and applies them throughout the text.  one of these topics is the balance that exists between risk and trust in modern society.  giddens emphasizes trust and risk in almost every argument he makes and for this reason, it is safe to say that he feels very strongly about these concepts.  although it is difficult to focus on only one concept that giddens lays out because they are all related and connected within modernity, for the purpose of this essay, i will focus only on risk and trust and how they apply to the topics of modernity as giddens presents them.
 
firstly, i would like to quickly summarize giddens' idea of modernity.  "'modernity' refers to modes of social life or organization which emerged in europe from about the seventeenth century onwards which subsequently became more or less worldwide in their influence" (giddens 1).  in this statement, giddens places modernity in a historical context, which becomes important throughout the text and can be elaborated on.  however, these basic definitions about modernity will later help to put the ideas of risk and trust in the proper context.  

much of giddens' argument in relation to risk and trust has to do with the fact that "the disorientation which expresses itself in the feeling that systematic knowledge about social organization cannot be obtained...results primarily from the sense that many of us have of being caught up in a universe of events we do not fully understand, and which seems in large part outside of our control" (giddens 2-3).  this is essentially the basis of the concept of trust and risk and how they are related to one another.  
 
giddens first mentions the theme of trust and risk when identifying the discontinuities between modern social institutions and the traditional social order.  among trust and risk, giddens also touches on the pace of change, the scope of change, and the nature of modern institutions, in which he discusses the fact that modernity has been set in motion, that areas of the globe are now becoming interconnected, and finally that there have been a change in principles from the pre-modern era (giddens 6).  giddens determines that modernity is a "double-edged phenomenon" and we have to study the theme  of trust versus risk with this in mind (giddens 7).
 
when giddens begins discussing trust, he states that this term is often misused or implies something more than what its definition is.  through luhmann, giddens says that "trust...should be understood specifically in relation to risk, a term which only comes into being in the modern period" (giddens 30).  the reason that the term risk did not exist in the pre-modern era is because what is now dubbed "risk" was then considered "fortuna (fortune or fate)" (giddens 30).  this idea of fate coincided with the idea of confidence, which luhmann referred to as "a more or less taken-for-granted attitude that familiar things will remain stable" (giddens 31).  it can be said that the modern society forces the individual to take responsibility for his or her actions.  if the individual is simply relying on confidence, they are not considering that alternative outcomes are possible, regardless of what they have confidence in.  in this way, they are not held accountable for what happens because they truly believe that only one outcome is possible.  different from this idea is that of trust, because the individual who puts his or her trust in something understands that there is a risk involved.  when the outcome is alternative to what the person trusted would happen, they were previously aware that such a possibility was laid out before them.  the difference between confidence and trust can now be identified as risk.  this disparity between confidence and trust because of risk seems to me to be more of an idea that belongs in the enlightenment period because it appears to mirror positivism that came about as a direct result of the enlightenment.  there appears to be a connection between confidence and what could be seen as a blind faith in god pre-enlightenment.  giddens must have anticipated would feel similarly to what i just stated because he states that since "the notion of risk is relatively recent in origin, luhmann holds, the possibility of separating risk and danger must derive from social characteristics of modernity.  essentially, it comes from a grasp of the fact that most of the contingencies which affect human activity are humanly created, rather than merely given by god or nature" (giddens 32).  when thinking of this idea of risk being recent, i considered a random example of imagining a family in pre-modern society who were afraid of their family members contracting the plague.  pre-enlightenment, this family would have had confidence that god would spare their family member from the plague if it were meant to be that way.  they were passive in the sense that their confidence in god was intertwined with their belief in fortune and fate.  in a modern society, if someone had the possibility of being diagnosed with cancer, we would view their situation in terms of the fact that mostly everyone runs the risk of getting cancer, which we can trust will be affected by the level of risk the person places themselves in (ex. smoking, not eating properly).  although people may still believe in god and fate in a modern society, they understand the risks involved with unhealthy habits.  
 
however, after understanding the difference between these concepts, i still feel that trust and risk are not modern or postmodern ideas, but that they belong to the enlightenment period and more specifically, to the theory of positivism.  if, as woodiwiss claims, "modernity" has simply replaced the term "capitalism," i would have to agree and say that the entire concepts of risk and trust are not modern (woodiwiss 3).  when discussing trust and risk, one cannot do so only in terms of the economy and capital without ignoring a large part of what these words mean.  in the consequences of modernity, however, it does not feel as if giddens is strictly discussing trust and risk solely in terms of capitalistic institutions.  in fact, giddens does not use the term modernity as a replacement of capitalism, but instead sees capitalism as a "dimension involved in the institutions of modernity" (giddens 55).  
 
considering all that is written above in this essay, i can reflect on giddens' study by saying that his work allows us to think about modernity and postmodernism in different ways throughout his entire text.  he offers many different conceptual tools with which we can consider modernity and postmodernism, but all are relatively limited within this text, as has been mentioned in lecture.  however limited he may be, giddens does open up the dialogue for whether or not postmodernism truly exists in today's society.  in class discussions, there has been disparity between some students as to whether or not we are living in a postmodern society.  it is arguable that although giddens put forth many concepts without delving extremely deep into any of them and thus left the reader with an overview of modernity, this was enough because it got the conversation about modernity flowing.  

works cited
giddens, anthony.  the consequences of modernity. stanford: stanford university press, 1990.
woodiwiss, anthony. 1997. against modernity: a dissident rant. economy and society, 26: 1, 1-21.  





Wednesday, October 8, 2008

recent reading: brainless: the lies and lunacy of ann coulter


title: brainless: the lies and lunacy of ann coulter
author: joe maguire
purpose: fun
copyright: 2006
pages: 181
chapters: 9
review: for those of you reading this who have no idea who ann coulter is, here is a very brief introduction.  she is a republican right-wing columnist who hates the new york times and all liberals.  she says very controversial things and has written numerous books on how liberals and left-wing individuals are basically moronic.  joe maguire obviously has some issues with her, hence, brainless.
mr. maguire gives us 9 chapters on why ann is someone we shouldn't listen to.  he focuses on not only her politics, but the way she delivers her message.  he points out that she is full of contradictions, inaccuracies, and even accuses her of plagiarism.  these are all very good issues and reasons for why american citizens should stop listening to what she has to say.  however, numerous times throughout this book, the narrative switches from informing facts to a sarcasm-riddled rant about coulter.  here, maguire attacks coulter's confidence in her looks [she's tall, skinny, and blonde and lets everyone know it] and her love life.  he does so in a sly way because he always brings the message back to the fact that coulter is unqualified to broadcast her opinion on politics to the world, but the fact remains that many times while reading this book, you find yourself questioning why you're just reading someone's rant about someone you already know is irrational and unbelievable.  
i think this book would be more interesting if maguire had focused more on how someone like ann coulter repeatedly appears in the media when both left and right wing politicians and commentators are shocked by her words and opinions.  or if maguire had addressed that coulter exists in our media as shock value.  or why it's dangerous to allow someone so ill informed with such set in stone opinions to be commenting on politics.  because let's face it, if you're reading this book, you probably know who coulter is and already think "idiot" is a polite term for the woman.  maguire should have been appealing to the people who feel that what coulter has to say actually matters, or worse yet, let her opinions form their own.  with brainless, he is simply preaching to the choir.
rating: 2/5

Wednesday, September 3, 2008

recent reading: dead sea

title: dead sea
author: brian keene
purpose: recommended by a friend of my dad's
copyright: 2007
pages: 318
chapters: 14
review: lamar reed is a black gay man dealing with unemployment in baltimore  when "hamelin's revenge" affects the nation.  of course, with this being a zombie novel, you must know that "hamelin's revenge" = undead people and animals walking around.  after weeks of being holed up in his house, a huge fire engulfing most of the city drives lamar from hiding.  he encounters tasha and malik, a brother and sister surviving alone in their apartment building.  they decide to escape the city together by heading toward the docks where they plan on taking a boat out of the city of fire and undead.  luckily, or so it seems, they meet up with a large group of people who are setting sail on an old coast guard ship.  the open sea seems like the best place to be until everything inevitably goes wrong.
the underlying message of this zombie novel has to do with people's positions in society and archetypal roles that everyone plays.  there is always a hero, a warrior, a jester, a trickster, etc.  lamar wrestles with feelings of self-disgust when someone points out that he has become a hero in the sense that he rescued tasha and malik from certain death [or undeath if you choose].  however, before the zombies started roaming the streets, lamar had gone against everything he stood for when he robbed a car dealership to pay his bills after being laid off from his factory job.  he consequently can't see himself as a hero because he had done something characteristically unheroic.  
although dead sea isn't terribly frightening, it does it's job as a zombie book by making you think "oh crap, what if that actually happened??"  this is the second brian keene book i've read [i've previously reviewed the rising] and this wasn't the greatest of the two, but still worth reading.
rating: 3/5
recommendations: the rising by brian keene.  also, the walking dead trade paperbacks by robert kirkman.

Friday, August 22, 2008

recent reading: the queen's daughter



title: the queen's daughter
author: melissa mccormick
purpose for reading: book club book selected by theresa
copyright: 2004
pages: 113
chapters: 21
review: the queen's daughter is an autobiographical story of melissa mccormick's ghastly 12 hours spent in detroit in 1976.  out for a night on the town with her friends, melissa was kidnapped, beaten and raped by several men after her car broke down on a detroit freeway.  the experience was so bad that at one point she begged them to kill her.  luckily, they didn't and she was set free the next morning.  melissa decided years later to write about her ordeal and how life changed for her after suffering through and surviving a woman's worst nightmare.  
it was very important to melissa that she not exploit her experience, but rather use it to inform other people.  however, after reading this book, i don't really understand what she was trying to accomplish.  maybe i've grown up desensitized to all the violence and horrible things in our society, but i don't think that this book was very helpful or inspirational to anyone who has been in a similar situation.  i can't speak from experience because thankfully, i've never experienced what melissa had to.  i think it's wonderful that she overcame a lot of what she was going through directly after, as well as years after her ordeal, but there really wasn't anything in this book that said "this is how i dealt with it and this is what may help you."  
rating: 2/5







Wednesday, August 13, 2008

recent reading: fake liar cheat


title: fake liar cheat
author: told goldberg
purpose for reading: fun
copyright: 2000
pages: 162
chapters: 21
review: i really didn't care for this book at all.  it really felt like the author was trying way to hard to be ironic and over used a dead-pan style of writing.  it felt like he was TRYING to be shocking, but i never bought it.  the premise for the book is that this regular joe [who somewhat lives the lifestyle of jack in fight club, i.e. being obsessed with buying things from ikea, not living life to the fullest] is approached by a beautiful girl who shows him the high-life in the l.a. scene.  the main thing that they do for fun is dine at fancy, upscale restuarants and skip out on the bill.  honestly, that really doesn't seem all too exciting to me.  
the beautiful woman, aka claire, has a nice car, apparently lives in a mansion, and dresses to the nines all the time.  the main character, lonnie, falls hard for her and loves what she brings out in him.  until she apparently performs a sexual favour for her boss.  lonnie then blackmails her boss by informing him that he will tell the boss' wife about his extramarital activities.  the story just gets ridiculous here because apparently this totally improvised and impulsive blackmailing scheme causes claire's boss to commit suicide.  where the hell that comes from, i don't know.  i really don't think that a rich, successful person would respond to some young punk and his girlfriend blackmailing them by killing themselves.
then, in even more unbelievable scenarios to follow, claire disappears and lonnie discovers that she has framed him for murder.  oh and also, he develops a cult following from copy-cat dine n' dashers who call themselves "lonnie's army."  of course he had nothing to do with this so-called army of his and these people carry out horrible things in his name like setting a school bus on fire.  it's just really ridiculous.  there is no way that someone could go from skipping out on a dinner bill to being wanted for murder.  this story reeks of fight club and i really feel like goldberg was trying way too hard to imitate chuck palahniuk's biting writing style, but he has miserably failed.  in my opinion palahniuk is probably the best contemporary writer that i've read to date and to try to imitate him is like trying to imitate van gogh: there's only one.  as a writer, i understand being inspired by a fellow author, but trying to imitate someone usually just makes you a second-rate THEM instead of a first-rate YOU.  
if you're in the mood for something edgy, quirky, and full of black humor, save yourself and just read some chuck p.
rating: 1.5


Tuesday, August 5, 2008

the dark knight

the second installment of the new batman series has been a box-office blast and has beat out "the shawshank redemption" for the top spot on the best movies list on imdb.com.  if you're one of a few people who hasn't yet seen the film, be advised that some spoilers might be ahead.

there is no beating around the bush: heath ledger has completely stolen the show in the new batman film.  i have to start out by saying this because i can't wait to talk about his performance until later.  ledger's last performance [technically, i know that terry gilliam's the imaginarium of doctor parnassus will be his last performance, but he never finished shooting on that film] is UNREAL.  there is no way that you could look at ledger as the joker and see the charming young australian in "10 things i hate about you."  ...and that's not just because of the joker's grisly makeup.  ledger changes his voice, his mannerisms, and the way you view him for the role of the joker.  he does exactly what an amazing actor does to portray someone that is truly not themselves.  he makes himself completely unrecognizable to the point that you believe that the joker really does exist and that the city of gotham isn't fiction at all.  to be able to make something so real for an audience that is in actuality completely unreal is the essence of what an actor does and ledger nailed it 100%.  rumors of post-humus oscar nods have been surrounding ledger's performance and whether they are true or not, it is safe to say that ledger's portrayal of the joker was the greatest in his portfolio of work.  it's sad to think that he was becoming an exponentially better actor with each film he did and that we probably would have seen even more amazing roles from him if he had not passed away so young and suddenly.  

i have to tear myself away from thinking about ledger and how much i hate that he's gone and talk about the rest of the film because it's freaking awesome.  christian bale once again plays the best batman that we've ever seen [at least in my opinion].  the character of bruce wayne/batman develops nicely in "the dark knight" because we see that wayne understands what being a hero means.  he ends up sacrificing batman's non-homicidal image to take the fall for the murders committed by the white knight of gotham: the new d.a. harvey dent.  of course dent doesn't commit the murders until after half of his face is burned off as a result of the joker trying to kill him.  and then the joker pushing him over the edge into madness where dent becomes the villain two-face who is obsessed with fate and chance.  now, i've always hated aaron eckhart as an actor.  i'm not sure if it's the roles he plays or his acting.  my friend remy commented that possibly i don't like his large chin.  i don't think that's it.  but whatever it may be, roles or chin, i loved him in this movie.  i can't exactly pinpoint what i loved about him other than i think he played both harvey dent and then two-face exactly as i envision them.  

also adding to the greatness of "the dark knight" is the face that maggie gyllenhaal, whom i love, replaced katie holmes, whom i can't stand, in the role of bruce wayne's childhood friend/love interest rachel dawes.  comparing gyllenhaal to holmes is like comparing filet mignon to a hamburger.  gyllenhaal brings sexy swank to the character while still upholding dawes' fierce and unyielding call for justice in gotham.  even on the most basic level of appearance, gyllenhaal LOOKS like what you would imagine bruce wayne's love to look like.  no, she's not conventionally beautiful, but her inner beauty shines through.  wow, that was cheesy.  also, let's not forget that bruce wayne is a billionaire.  when he was a child, wouldn't it stand to reason that his closest friend would come from at least a little bit of money?  gyllenhaal has a "money" face while holmes just talks out the side of her mouth. seriously, what is that?  also, just as a sidebar, i think it was pretty neat how "the dark knight" sort of kept it in the family.  many of you may know that gyllenhaal's brother, the beautiful jake, is godfather to ledger's daughter matilda.  the gyllenhaals and ledger were a close-knit group so i think it was fitting that in ledger's last movie, he was among friends.

"the dark knight" also propels jim gordon's story line ahead as he finally becomes "commissioner gordon."  in the film, he's full of tricks that make him a great cop, even going so far as to fake his own death to be able to later catch the joker and once again help batman.  of course this backfires and results in rachel's death and the creation of two-face, but seriously gordon was just doing his job.  

"the dark knight" is full of themes: anarchy [thanks to the joker], fate, duality, and chance [upheld in a twisted way by two-face], the true meaning of being a hero [batman is criticized repeatedly but does what's right for gotham, even if it appears to hurt himself], and finally, i think it puts forth the lesson of not putting all your eggs in one basket.  gordon and batman put harvey dent up on a pedestal as the white knight of gotham.  they claim that dent is the real hero because he'll fight crime the way it's meant to be fought: through the legal system.  but after dent becomes two-face and murders five people, his white knight image would be ruined if the public found out about the murders.  gordon and batman admit that they were naive to think that one person could change gotham and that they didn't account for someone without rules or scruples [aka the joker].  when anarchy exists, even in crime, there is no way to fight back because there are no limits or boundaries set.  

the movie was amazing and if you haven't seen it, you should go NOW.  if you saw it and have an opinion about it, leave a comment!

Monday, July 14, 2008

pop culture addict is turning japanese

hey there everyone...

so i'm off to japan for ten days.  not much to say in this post other than that.  hopefully we'll be pretty much fully immersed in japanese culture and i'll have some cool things to report back to you.

wish me luck and when i get back, i'll post a ton of pictures on my facebook account i'm sure.

xo stella.

Wednesday, July 9, 2008

recent reading

so i haven't been up to date with all the books i've read since i started the blog.  i've decided instead of doing a separate entry for each book, i'll just give a quick review of each of them in this post.  the way i do my book reviews is that i list the title of the book, the author, the reason i decided to read the book [ex. for fun, for required school reading, for my bookclub, it was recommended, etc.], the copyright date of the book, the number of pages [to give everyone an idea of the size of the book if they decide they are interested], the number of chapters [if it applies to the format of the book], and then finally my review and a rating out of 5.  also, i think i'm going to include a section about other books i would recommend if you like the one i just finished a review of, if i can think of one.

title: i am america [and so can you!]
author: stephen colbert
purpose for reading: fun
copyright: 2007
pages: 227
chapters: 14
review: hilarious!  the chapter on religion was one of my favourites, especially the chart on different "trains" in comparison to the jesus train like the crazy train [via ozzy osbourne], the night train, and the midnight train to georgia.  if you are a fan of "the colbert report" on comedy central, you'll love this book.  if you've ever seen the show and are familiar with "the word" section of the program, you'll understand all his notes in the margins of the book.  the book reads the same way as "the word" plays on t.v. and it's funny as hell.  
rating: 4.5/5

title: lightning
author: dean koontz
purpose: fun
copyright: 1988
pages: 351
chapters: ?
review: this book is very intriguing and catches the reader's attention very quickly after beginning.  it's very suspenseful while still being emotional at times.  the story focuses around laura shane who has had a "guardian" looking over her ever since birth.  we meet laura on the night of her birth after her mother died during labour.  from then on, we see her grow up and dodge serious harm to herself, but not without tragedy.  the death of her father at age 12 makes her an orphan who's life is anything but easy.  as time goes on, laura is finally able to talk to the guardian who has saved her from harm on numerous occasions and ask him who he is and why he cares so much about her.  there's a bit of a twist here that i don't want to give away, but i will say this: this is a work of fiction so obviously some imagination has to be used.  i think the twist in this book could make a lot of people say "okay this is just stupid" but koontz's writing is good enough that if you stick with the book and give yourself up to imagination, you'll start to think that this twist is actually a feasible thing.  beyond that, laura's life is very interesting and her character development was done very well.  
rating: 3.5/5
recommendation: odd thomas by dean koontz

title: emma
author: jane austen
purpose: book club
copyright: 1815
pages: 495
chapters: ?
review: i had no idea that the movie "clueless" starring alicia silverstone was based on emma but there were a lot of similarities between the book and the film that were impossible to ignore.  sometimes this would help me when situations got confusing in the book because i have seen "clueless" too many times to count and could sort of expect what was coming.  other times, the fact that i had seen the movie so many times hindered the book because it made certain scenarios boring because i already knew what the outcome would be.  all in all, it is a classic book and my first austen.  like any classic, i think you have to really try to transport yourself back to that time and think about how life was when the author was writing it.  on the other hand, it's also interesting to examine the ways that our society has changed or stayed the same since 1815.  for example, the book heavily focuses on different people marrying someone that is on the same "level" that they are in terms of money, power, and breeding.  i think this still exists somewhat today.  if we see some rich man marrying a middle income woman, we always think that she's just after his money and social standing.  or sometimes if someone is very popular and good looking and they are with someone not so great looking, people will say that the former could do better than the latter.  that's just my opinion and if you have a different one, i encourage you to let me hear it! : )
rating: 3/5

title: black hole
author: charles burns
purpose: book club
copyright: 2005
pages: ?
chapters: ?
review: black hole is a graphic novel that looks daunting because it is so thick, but truly, you could finish this book in a few hours.  i thought the artwork was really cool, but the writing was terrible, even for a graphic novel.  if you've ever read a graphic novel or a comic book, you know [if you will admit it to yourself], that sometimes the writing isn't all that great.  it can be very descriptive, by which i mean someone will say "i am angry and now i will punch you."  maybe that's not a great example and i might be exaggerating a bit, but in my opinion, what graphic novels add for imagery and visuals, they usually lose in writing.  once again, only my opinion and if you're an avid reader of graphic novels/comic books and think differently, feel free to let me know.  i admit that i just recently got into graphic novels and maybe i'm just reading the wrong ones!  feel free to recommend some titles to us less-informed readers!  : )  
anyways, back to black hole.  set in the 70's, the story is that a disease has struck a community that affects the teenagers.  the disease is sexually transmitted and carriers of the disease develop deformities.  for example, one girl grows a tail, another girl sheds her skin like a snake, someone else grows a second mouth on his neck.  i really felt like burns romanticized not only drug use [which is to be expected whenever a text is about the 70's i guess], but more so, i felt that he romanticized STDs.  for example, in the story, a non-infected guy ends up losing his virginity to the girl who has grown a tail.  during sex, she tells him to pull on her tail and he ends up becoming aroused by her deformity.  obviously, he now gets the disease and it manifests as scales on his body.  these teenagers seem to be turned on by the deformities that the others have and in almost every sexual encounter that someone has with a diseased person, their deformity, whatever it may be, is involved.  
i really didn't see the point of the book.  i didn't think that it exposed much of anything.  i didn't see the moral if there was one.  if you've read this book and can shed some light on it, share your insight.  i was pretty much the only one in the book club who really didn't like it.  the other girls felt that it discussed the feeling of being an outcast in high school, but i thought that argument was kind of weak and little along the lines of grasping at straws.
rating: 2.5/5

title: judaism: a very short introduction
author: norman solomon
purpose: fun
copyright: 1996
pages: 136
chapters: 9
review: firstly, something i may or may not have mentioned before...i'm obsessed with jewish people and jewish culture.  i'm not exactly sure why, but there it is.  this is strange because i'm an athiest who was raised catholic.  but i am fascinated by jewish customs and traditions and respect their belief in god.  anyways..."very short" is right.  things weren't explained very well in this book and i don't feel like i gained any insight into the jewish culture beyond things i already knew.  i wouldn't recommend wasting your time reading this book if you're interested in learning about judaism.
rating: 1/5

title: i'm a lebowski, you're a lebowski: life, the big lebowski, and whathaveyou
author: bill green, ben peskoe, will russel, and scott shuffitt
purpose: fun
pages: 234
chapters: 7
review: this book is for anyone who is a die-hard fan of coen brother's cult classic "the big lebowski."  this book is simply fun.  it's a great fanbook written by the founders of lebowski fest, an annual festival celebrating "the big lebowski" and all its fans [look for a link to the lebowski fest website in my "check this out!" section on the left-hand side of the blog].  the book is filled with quotes and interviews with the actors of the film, as well as some celebrity fans of the movie like tony hawk and patton oswalt.  there are lot of interesting facts that you might not have picked up in the movie, as well as a "by your side guide" to the movie.  on top of that, after reading the book, you'll have learned about the man that inspired the lazy man's hero, the dude, as well as the three men who make up walter.  
but hey, if you're going to read this book, make sure you do it before the sabbath...SHOMER FUCKIN' SHABBOS!
rating: 3.5/5

title: the rising
author: brian keene
purpose: recommended by a friend of my dad's who is big into horror and zombies
copyright: 2004
pages: 321
chapters: 23
review: this is a pretty decent zombie book which has both similarities and differences from other zombie stories.  for example, along the same lines of the movie "28 days later," civilians come under military abuse of power after the zombie rising [and yes, i know "28 days later" isn't technically a zombie movie, but everyone categorizes it as that...and if you haven't seen that movie...WHAT ARE YOU DOING WITH YOUR LIFE!?...see that movie now!!!!].  i have to admit that if the zombies had been like most where they are slow moving and just mindless flesh-eating machines, i wouldn't have enjoyed the book as much as i had and might have tried to quickly finish it and move on.  however, the rising features a different kind of zombie: a zombie who can talk and do anything a human can, just at a slower pace, obviously.  the zombies can shoot guns, drive cars, and really screw with a person's head.  in this book, when a person or an animal dies [yes, there are zombie animals!], a new entity takes over the corpse after the soul of the person has left.  the best way to think of this entity is as a demon.  apparently, there is an infinity amount of demons waiting to take over the corpses of the recently dead and inherit the earth.  when a demon takes over your body, it can see everything that you remember from your life.  it will know who your kids are, what job you worked at when you were alive, and intimate and personal memories from your life.  the zombies use this to really freak out their still-alive human counterparts.  this new breed of zombie brought life to the genre for me [no pun intended].  altogether, a pretty enjoyable read...if you're into that kind of stuff.
rating: 3/5

title: killing yourself to live: 85% of a true story
author: chuck klosterman
purpose: fun
copyright: 2005
pages: 235
chapters: ?
review: if you've never read chuck klosterman, get on that shit now!  he writes in the autobiographical first person and sometimes you read a section and sit there thinking to yourself "it must be exhausting to be him."  i seriously don't even know where to start.  he's so hilarious that you will literally "lol" while reading his stuff.  this book is the story of him traveling cross-country going to the spots of the deaths of musicians.  but more than that, it's an examination of why we're so obsessed with death and why people usually don't get recognition until they're dead.  it's also about the dynamics of chuck's relationships with three women that he's either in love with or has been in love with in the past.  
rating: 3.5/5
recommendation: sex, drugs and cocoa puffs by chuck klosterman

title: 1984
author: george orwell
purpose: fun
copyright: 1949
pages: 311
chapters: ?
review: i'd always wanted to read this book because it's a modern classic.  it was pretty much exactly what i expected and it lived up to what i had heard about it being an unnerving story about an all-controlling government.  i'm not big into politics and political parties, so i'm not sure if i 100% understand what this book meant when it was published in 1949.  
rating: 3/5
recommendation: animal farm by george orwell